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One person found this helpful. Posted by X X at 7: And these anxieties are what gradually gives the novel shape, for it turns out that we are in a time of transition: Castwllanos a problem loading this menu right now.

Castellanoscannan Indigenismo avec Indigenous self-representations. Modern medicine cannot help him because he will not eat or sleep. Hazel Weller rated it did not like it Oct 04, So, trying to make things better, she sends the girl and Mario to communion classes because the priest will not attend to her unless they become church members.

Balun-Canan Lists with This Book. site Second Chance Pass it on, trade it in, give it a second life.


Sobre la autora y la obra. There was a problem filtering reviews right now. The girl, in the end, feels horrible about what she has done and wishes she could apologize to Mario. Sin querer dar muchos detalles, debo decirles que es una historia que se debe leer mas de una vez, si es possible dejando pasar un poco de tiempo entre lecturas.

After his warning there is silence that is pregnant with meaning that they cannot access, and the girl enacts a disruption as if the silence were too difficult for her to bear.

Her impulsive action also denies the colonial silence that she is not prepared to confront. Ask, find out things, because there are trees and orchids and birds that one ought to respect. A theoretical stance that the weak are always inescapably devoured by those with authority is also revealed, signifying the certainty of the continuation of the cycle of victimhood and power.

Different from the suffocation felt in these scenes, defiance, resistance, and refusal to cooperate are also communicated through silences. While demonstrating realistically the way in which the author had failed to recognize the domestic service that had made her life more comfor- table, facelessness also allows the nana refuge from the coming-of-age story that would have captured her alterity for its own end.

The apolitical notion of silence that may be troublesome to readers with an eye to- wards the empowerment of the characters is thus mitigated by these denials.

Despite the hopelessness that is evoked, there may also be dignity in silence, and maintaining unintel- ligibility may be a way of protecting the sovereignty of cultural traditions.

Pero yo sigo en el suelo, cojida de su tzec, llorando porque no quiero irme. Ella me aparta delicadamente y me alza hasta su rostro. Besa mis mejillas y hace una cruz sobre mi boca. She loosens my hold gently and raises me up to her face.

She kisses me on the cheeks and makes the sign of the cross on my mouth. It is indeed difficult to conceive of the nana as not occupying that space for the girl — that is, that she somehow from a distance provides comfort to her surrogate daughter whose class is assailed by dramatic changes.

In the end however that absence is demystified by the violent act of separation enacted by Zoraida and the subsequent imposition of facelessness that brings attention to the realities that leave her vulnerable to domination.

She at first asserts her independence, telling Zoraida to not touch her, that she has no rights to her since she did not download her with her dowry. This mania your people have of walking about so noiselessly, lurking in ambush, jumping out when one least expects.

Why did you come? Moreover, the notion that she shares the same space but always threatens getting too close indicates that she has political potential that needs to be contained. This scene finds that the nana initiates an encounter; it does not follow the implicit rules that she and Zoraida normally follow, that she maintain her distance. The historical silence of the rural indigenous people of Chiapas remains unbroken; not to mythify it, but to bring attention to the larger colonial narrative of which all of the characters are a part.

I give you a silence in which your future — and perhaps my own, but with you and not as you and without you — may emerge and lay its foundation.

A silence that is the primary gesture of I love to you.


Coming from the girl it is a small gesture that forges the possibility of understanding. It marks my very presence in the world Levinas As the charco puddle with which Zoraida seeks to evade contact, the nana is dismissed by the mistress as less than human; but at the same time by not being seen she is able to maintain a space for herself exterior to the family.

As the subaltern she is not able to speak within the story, but neither is she expelled entirely. Through encounters between subjects that experience differential treatment, past in- justices and future inequalities emerge.

Infuriated, Zoraida strikes her, breaking the silence with a violent act.


Nun- ca pudo pronunciar la f. She also demonstrates resistance by insisting on telling the truth; yet in not acting in self- -interest she exhibits loyalty to the family that possesses her. It has been shown through silences that mark differences and that are reminders of inequalities that the relationship between self and other is presented not as static, but based upon a series of encounters through which each party is transformed each time. Even Zoraida transforms as a result of her encounter with the nana, as for the first time she must acknowledge a connection with indigenous thought.

Not a word could she get into her head. We all know that when we engage profoundly with one person, the responses come from both sides: this is responsibility and accountability. We also know that in such engagements we want to reveal and reveal, conceal nothing. Yet on both sides there is always a sense that something has not got across. In the context of this novel the girl is required to respond to what goes unsaid. It is the nana that maintains a secret between them, not to exclude the girl, but to assure that she uphold her individuality within their encounters.

In addition to this movement towards ethical singularity that valorizes two-way communication, it should be recogni- zed that the relationship cannot only be perceived as a whole which is either positive or negative; rather it ought to be viewed as a continuous reaction to scarring left from past encounters and the possibilities for future wounds.

By holding back information and requiring that the girl wait before she responds, the nana models the dialogue that demands that both sides listen, keeping in mind that one is always waiting for an adequate reply. Castellanos is very possibly working out an ethi- cal response to what she has perceived in her life as her own privilege, combined with the discrimination that she experienced within a machista environment.

Although it is clear that the pessimism at the end of the novel prevents either character from acting in resis- tance, through the employment of critical silences Castellanos does open up a possibility for responding to the particularity of the subaltern in her novel.

Aurora M.

The faceless nana at the end is something different than the violence of conceiving of someone as the absolute other: her invisibility reveals complacency on the part of the narrator, which figures something like recognition of complicity. I have insisted that what must be added to this formulation are the willful silences of the nana in-between those two acts that confront the domination of the Spanish text. What is more, the novel highlights a double failure: the writer illustrates that one cannot speak for the subaltern, and neither can the subaltern speak within the confines of her text.

Works Cited Castellanos, Rosario. The Nine Guardians. Irene Nicholson. Try the site edition and experience these great reading features: She gets a beggar to tell her fortune but it is only bad.

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balun canan rosario castellanos pdf

Top Reviews Most recent Top Reviews. Though she died young, she opened the door of Mexican literature to women, and left a legacy that still resonates today. In one of the last chapters, one of the characters mentions it. English Choose a language for shopping. Would you like to tell us about a lower price? Gracias por clarificar sobre la importancia de Mario y la herencia.Refresh and try again. And so, from bad to worse as the local people make unprecedented demands on the owners of casstellanos manor house, demands that are now backed up by the state in the person of a visiting agrarian inspector.

The girl, in the end, feels horrible about what she has done and wishes she could apologize to Mario. Learn more about site Prime.

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